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John Simkin
I thought it might be a good idea to post our favourite poems of the First World War. Here is my first choice. It is by Isaac Rosenberg. It was written three days before he was killed.

Isaac Rosenberg, The Immortals (1918)

I killed them, but they would not die.
Yea! all the day and all the night
For them I could not rest or sleep,
Nor guard from them nor hide in flight.

Then in my agony I turned
And made my hands red in their gore.
In vain - for faster than I slew
They rose more cruel than before.

I killed and killed with slaughter mad;
I killed till all my strength was gone.
And still they rose to torture me,
For Devils only die in fun.

I used to think the Devil hid
In women’s smiles and wine’s carouse.
I called him Satan, Balzebub.
But now I call him, dirty louse.
John Simkin
Siegfried Sassoon, Suicide in the Trenches (1917)

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.
Chris McKie
Siegfried Sassoon, Aftermath (1920)

HAVE you forgotten yet?...
For the world's events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you're a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same--and War's a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you'll never forget.


Do you remember the dark months you held the sector at Mametz--
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench--
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, 'Is it all going to happen again?'


Do you remember that hour of din before the attack--
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads--those ashen-grey
Masks of the lads who once were keen and kind and gay?


Have you forgotten yet?...
Look up, and swear by the green of the spring that you'll never forget.
Chris McKie
William Noel Hodgson, Before Action (1916)

By all the glories of the day
And the cool evening's benison,
By the last sunset touch that lay
Upon the hills when day was done,
By beauty lavishly outpoured
And blessings carelessly received,
By all the days that I have lived
Make me a soldier, Lord.

By all of all man's hopes and fears,
And all the wonders poets sing,
The laughter of unclouded years,
And every sad and lovely thing;
By the romantic ages stored
With high endeavour that was his
By all his mad catastrophes
Make me a man, O Lord.

I, that on my familiar hill
Saw with uncomprehending eyes
A hundred of They sunsets spill
Their fresh and sanguine sacrifice,
Ere the sun swings his noonday sword
Must say good-bye to all of this;--
By all delights that I shall miss,
Help me to die, O Lord.


You can read my comments on another post why I find this particular poem so powerful.
John Simkin
Wilfred Owen, Dulce et Decorum est (1917)

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame, all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! Gas! Quick, boys! An ecstasy of fumbling,
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in.
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
John Simkin
Charles Sorley, To Germany (1914)

You are blind like us. Your hurt no man designed,
And no man claimed the conquest of your land.
But gropers both through fields of thought confined
We stumble and we do not understand.
You only saw your future bigly planned,
And we, the tapering paths of our own mind,
And in each other's dearest ways we stand,
And hiss and hate. And the blind fight the blind.

When it is peace, then we may view again
With new-won eyes each other's truer form
And wonder. Grown more loving-kind and warm
We'll grasp firm hands and laugh at the old pain,
When it is peace. But until peace, the storm
The darkness and the thunder and the rain.
John Simkin
Humbert Wolfe, Requiem: The Soldier (1916)

Down some cold field in a world outspoken
the young men are walking together, slim and tall,
and though they laugh to one another, silence is not broken;
there is no sound however clear they call.

They are speaking together of what they loved in vain here,
but the air is too thin to carry the things they say.
They were young and golden, but they came on pain here,
and their youth is age now, their gold is grey.

Yet their hearts are not changed, and they cry to one another,
'What have they done with the lives we laid aside?
Are they young with our youth, gold with our gold, my brother?
Do they smile in the face of death, because we died?'

Down some cold field in a world uncharted
the young seek each other with questioning eyes.
They question each other, the young, the golden hearted,
of the world that they were robbed of in their quiet paradise.
John Simkin
Two from Germany:

Ernst Toller, Spring 1915 (March, 1915)

In spring I go to war
To sing or to die.
What do I care for my own troubles?
Today I shatter them, laughing in pieces.

Oh, Brothers, know that young spring came
In a whirlwind.
Quickly throw off tired grief
And follow her in a host.

I have never felt so strongly
How much I love you, Oh, Germany,
As the magic of spring surrounds you
Amidst the bustle of war.


Ernst Toller, Corpses in the Wood (1916)

A dung heap of rotting corpses:
Glazed eyes, bloodshot,
Brains split, guts spewed out
The air poisoned by the stink of corpses
A single awful cry of madness.

Oh, women in France,
Women of Germany
Regard your menfolk!
They fumble with torn hands
For the swollen bodies of their enemies,
Gestures, stiff in death, become the touch of brotherhood,
Yes, they embrace each other,
Oh, horrible embrace!
I see and see and am struck dumb
Am I a beast, a murderous dog?
Men violated
Murdered.

http://www.spartacus.schoolnet.co.uk/FWWtoller.htm
Valentina Cuadrado
Wilfred Owen
Anthem for Doomed Youth

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them: no prayers nor bells,
Nor any voice of mourning save the choirs,-
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of the boys, but in their eyes
Shall shine the holy glimmers of goodbies.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
and each slow dusk a drawing-down of blinds.
Caterina Gasparini
Giuseppe Ungaretti

VIGIL

A whole night long
crouched close
to one of our men
butchered
with his clenched
mouth
grinning at the full moon
with the congestion
of his hands
thrust right
into my silence
I've written
letters filled with love

I have never been
so
coupled to life
------------------
SAN MARTINO DEL CARSO

Of these houses
nothing
but fragments of memory

Of all who
would talk with me not
one remains

But in my heart
no one's cross is missing
My heart is
the most tormented country of all
------------------
I AM A CREATURE

Like this stone of
San Michele

as cold
as hard
as thoroughly dried

as refractory
as deprived of spirit

Like this stone
is my weeping that can't
be seen

Living
discounts death
ChrisGunn
Rudyard Kipling

Common Form (1918)

If any question why we died,
Tell them, because our fathers lied.

Rudyard Kipling, the Empire's poet, lost his only son John in WWI and never got over it. This is clearly reflected in these short two lines. It is also reflected in this 1924 work:

A Dead Statesman (1924)

I could not dig; I dared not rob:
Therefore I lied to please the mob.
Now all my lies are proved untrue
And I must face the men I slew.
What tale shall serve me here among
Mine angry and defrauded young?
Jack White
None better than....


In Flanders Fields

By John McCrae



In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.


We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
      In Flanders fields.


Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
      In Flanders fields.
Anne Jakins
Break of Day in the Trenches by Isaac Rosenberg

The darkness crumbles away ---
It is the same old Druid Time as ever.
Only a live thing leaps my hand -
A queer sardonic rat---
As I pull the parapet's poppy
To stick behind my ear .
Droll rat, they would shoot you if they knew
Your cosmopolitan sympathies.
Now you have touched this English hand
You will do the same to a German-
Soon,no doubt , if it be your pleasure
To cross the sleeping green between.
It seems you inwardly grin as you pass
Strong eyes, fine limbs, haughty athletes
Less chanced than you for life,
Bonds to the whims of murder,
Sprawled in the bowels of the earth,
Tte torn fields of France.
What do you see in our eyes
At the shrieking iron and flame
Hurled through still heavens?
What quaver-what heart aghast?
Poppies whose roots are in a man's veins
Drop, and are ever dropping;
But mine in my ear is safe,
Just a little white with the dust.
Chris Culpin
Ivor Gurney: To His Love

He's gone, and all our plans
Are useless indeed.
We'll walk no more on Cotswold
Where the sheep feed
Quietly and take no heed

His body that was so quick
Is not as you
Knew it, on Severn river
Under the blue
Driving our small boat through.

You would not know him now...
But still he died
Nobly, so cover him over
With violets of pride
Purple from Severn side.

Cover him, cover him soon!
And with thick-set
Masses of memoried flowers -
Hide that red wet
Thing that somehow I must forget.
Janet Davidson
An Irish Airman Foresees His Death
-- William Butler Yeats

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
Chris McKie
The Dead (The Brothered Dead Lain Cheek to Cheek) by Rene Arcos

In the wind that blows
The veils of widows
All float on one side

And the mingeld tears
Of a thousand sorrows
In one stream glide.

Pressing each other close the dead
Who own no hatred and no flag,
Their hair veneered with clotted blood,
The dead are all on the same side.

In the one clay where endlessly
Beginnings blend with the world that dies
The brothered dead lain cheek to cheek
Today atone for the same defeat.

Divided sons, fight on, fight on,
You lacerate humanity
And tear the earth apart in vain,
The dead are all on the same side;

Under the earth no more than one,
One field, one single hope, abide,
As for the universe can only be
One combat and one victory.
Cigdem Göle
Beauty

The beautiful, the fair, the elegant,
Is that which pleases us, says Kant,
Without a thought of interest or advantage.


I used to watch men when they spoke of beauty
And measure their enthusiasm. One
An old man, seeing a ( ) setting sun,
Praised it ( ) a certain sense of duty
To the calm evening and his time of life.
I know another man that never says a Beauty
But of a horse; ( )


Men seldom speak of beauty, beauty as such,
Not even lovers think about it much.
Women of course consider it for hours
In mirrors; ( )


A shrapnel ball -
Just where the wet skin glistened when he swam -
Like a fully-opened sea-anemone.
We both said 'What a beauty! What a beauty, lad'
I knew that in that flower he saw a hope
Of living on, and seeing again the roses of his home.
Beauty is that which pleases and delights,
Not bringing personal advantage - Kant.
But later on I heard
A canker worked into that crimson flower
And that he sank with it
And laid it with the anemones off Dover

by Wilfred Owen
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