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Phillip Pratt

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About Phillip Pratt

  • Birthday 10/20/1974

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    UK

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  1. I looked into all the various CTs, the only one that was credible was from Gene Wheaton. Over the years the various CTers had warned me off the dark side of lone nuttery. But I recently heard Fred Litwin on Rob Clarke’s show, and it peaked my curiosity. So I figured what the hell, after all the time invested in the case why not spend a couple days reading the blogs of Litwin and Myers. I was blown away, all the JFKA folklore came crashing down like a deck of cards. Also I was interested in reading Litwin’s roast of Oliver Stone and Jim D, because their new Tv series was so bad, it pushed me back over the edge. Then I read “I was a teenage conspiracy freak” which spells out the origins of the JFKA community, how Mark Lane was funded by the KGB, how Gary Shaw and West invented stooges like Bev Oliver, Ricky White and James Files. I realised the whole JFKA community is a sham. Just like the UFO community, who’s origins can be traced back to the 50s. Both genres have been running on rinse and repeat ever since. To “deconvert” read the WC and the HSCA reports, focusing on the wounds, ammo and ballistics. Avoid all other JFK researchers, books and documentaries, it’s all fan fiction at best.
  2. I recommend watching the new series “Light and Magic” (Disney+) which tells the story of George Lucas’ Industrial Light and Magic (ILM) special effects from Star Wars (1977) through to Jurassic Park (1993) when they transitioned to CGI. The original methods were all stop motion, matte paintings and optical printers. The original ILM crew were a ragtag bunch who came together organically and had to invent all the techniques on the fly. Noticeable is how SLOW this work was in the early days. Also mentioned, for Star Wars they dug out Paramount’s ‘Vista vision” equipment and customised/modernised it. This kit hadn’t been used since ‘The Ten Commandments’ (1956). The series explains the limitations of the old special effects techniques. And as an illustration of how hard it is to ‘re-animate’ humans on old film, look how crap Han Solo looks in the 90’s re-edit of Star Wars, when he walks up over Jabba’s tail (and that was done with computers). My point is, all this was very specialised work, originating in the mid 70’s with a bunch of techy hippies - not the deep state.
  3. Oswald was a 4th cousin of Robert E Lee, and him and his brother were named after him. He grew up in the deep south and went in the military. All this sounds very conservative. I’ve seen a lot of speculation that Oswald was LARPing as a radical lefty in a rolling ‘dangle op’ to root out lefties, perhaps because he was a self appointed Cold War undercover detective, and/or FBI informant. There is a pattern in America where all high crimes get blamed on the left, including crimes committed against the left (see Jan 6 and Highland Park shooting). This strategy reminds me of the Russian delegate in the UN recently who said “Ukraine are shelling themselves”. 🥱 My point is, Oswald self-owned by pretending to be marxist, and became the ideal patsy in a country where everybody is conditioned to (falsely) accuse the left.
  4. I’ve followed the JFK case since the 2000’s, and am a big fan of JFK (the man, not the movie or the airport). I’ve been a lurker on this forum for a few years. Favourite researchers are Bill Simpich, Larry Hancock, Walt Brown.
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