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The Freewomen


John Simkin
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In March 1911 Dora Marsden and her close friend, Grace Jardine, went to work for the Women's Freedom League newspaper, The Vote. Marsden attempted to persuade the WFL to finance a new feminist journal. When this proposal was refused, Marsden left. She now joined forces with Jardine and Mary Gawthorpe to establish her own journal. Charles Granville, agreed to become the publisher. On 23rd November, 1911, they published the first edition of The Freewoman. The journal caused a storm when it advocated free love and encouraged women not to get married. The journal also included articles that suggested communal childcare and co-operative housekeeping.

Mary Humphrey Ward, the leader of Anti-Suffrage League argued that the journal represented "the dark and dangerous side of the Women's Movement". According to Ray Strachey, the leader of the National Union of Suffrage Societies (NUWSS), Millicent Fawcett, read the first edition and "thought it so objectionable and mischievous that she tore it up into small pieces". Whereas Maude Royden described it as a "nauseous publication". Edgar Ansell commented that it was "a disgusting publication... indecent, immoral and filthy."

Other feminists were much more supportive, Ada Nield Chew, argued that the was "meat and drink to the sincere student who is out to learn the truth, however unpalatable that truth may be." Benjamin Tucker commented that it was "the most important publication in existence". Floyd Dell, who worked for the Chicago Evening Post argued that before the arrival of The Freewoman: "I had to lie about the feminist movement. I lied loyally and hopefully, but I could not have held out much longer. Your paper proves that feminism has a future as well as a past." Guy Aldred pointed out: "I think your paper deserves to succeed. I will use my influence in the anarchist movement to this end." Others showed their support for the venture by writing without payment for the journal. This included Teresa Billington-Greig, Rebecca West, H. G. Wells, Edward Carpenter, Havelock Ellis, Stella Browne, C. H. Norman, Edmund Haynes, Catherine Gasquoine Hartley, Huntley Carter, Lily Gair Wilkinson and Rose Witcup.

Edwin Bjorkman, writing in the American Review of Reviews, was a great fan of the writing of Dora Marsden: "The writer of The Freewoman editorials has shot into the literary and philosophical firmament as a star of the first magnitude. Although practically unknown before the advent of The Freewoman ... she speaks always with the quietly authoritative air of the writer who has arrived. Her style has beauty as well as force and clarity."

Marsden also attacked the WSPU's strategy of employing militant tactics. She argued that the autocracy of Emmeline Pankhurst and Christabel Pankhurst prevented independent thought and encouraged followers to become "bondwomen". Marsden went on to suggest "the paramount interest of the WSPU was neither the emancipation of women, nor the vote, but the increase in power of their own organisation." On 7th March, 1912, she wrote: "The Pankhurst party have lost their forthright desire for enfranchisement in their outbalancing desire to raise their own organisation to a position of dictatorship amongst all women's organisations.... The vote was only of secondary importance to the leaders... before every other consideration, political, social or moral comes the aggrandisement of the WSPU itself and the increase of power of their own organisation."

The most controversial aspect of the The Freewoman was its support for free-love. On 23rd November, 1911 Rebecca West wrote an article where she claimed: "Marriage had certain commercial advantages. By it the man secures the exclusive right to the woman's body and by it, the woman binds the man to support her during the rest of her life... a more disgraceful bargain was never struck."

On 28th December 1911, Dora Marsden began a five-part series on morality. Dora argued that in the past women had been encouraged to restrain their senses and passion for life while "dutifully keeping alive and reproducing the species". She criticised the suffrage movement for encouraging the image of "female purity" and the "chaste ideal". Dora suggested that this had to be broken if women were to be free to lead an independent life. She made it clear that she was not demanding sexual promiscuity for "to anyone who has ever got any meaning out of sexual passion the aggravated emphasis which is bestowed upon physical sexual intercourse is more absurd than wicked."

Dora Marsden went on to attack traditional marriage: "Monogamy was always based upon the intellectual apathy and insensitiveness of married women, who fulfilled their own ideal at the expense of the spinster and the prostitute." According to Marsden monogamy's four cornerstones were "men's hypocrisy, the spinster's dumb resignation, the prostitute's unsightly degradation and the married woman's monopoly." Marsden then added "indissoluble monogamy is blunderingly stupid, and reacts immorally, producing deceit, sensuality, vice, promiscuity and an unfair monopoly."

Dora argued that it would be better if women had a series of monogamous relationships. Les Garner, the author of A Brave and Beautiful Spirit (1990) has argued: "How far her views were based on her own experience it is difficult to tell. Yet the notion of a passionate but not necessarily sexual relationship would perhaps adequately describe her friendship with Mary Gawthorpe, if not others too. Certainly, her argument would appeal to single women like herself who had sexual desires and feelings but were not allowed to express them - unless, of course, in marriage. Even then, sex, for women at least, was supposed to be reserved for procreation."

Charlotte Payne-Townshend Shaw, the wife of George Bernard Shaw, wrote to Dora Marsden "though there has been much I have not agreed with in the paper", The Freewoman was nevertheless a "valuable medium of self-expression for a clever set of young men and women". However, Olive Schreiner disagreed and argued that the debates about sexuality were inappropriate and revolting in a publication of "the women's movement". Frank Watts wrote a letter to the journal that if women really wanted to discuss sex "then it must be admitted by sane observers that man in the past was exercising a sure instinct in keeping his spouse and girl children within the sheltered walls of ignorance."

Harry J. Birnstingl praised Marsden for raising the subject of homosexuality. He added: "It apparently has never occurred to them that numbers of these women find their ultimate destiny, as it were, among members of their own sex, working for the good of each other, forming romantic - nay passionate - attachments with each other? It is splendid that these women... should suddenly find their destiny in thus working together for the freedom of their own sex. It is one of the most wonderful things of the twentieth century."

The articles on sexuality created a great deal of controversy. However, they were very popular with the readers of the journal. In February 1912, Ethel Bradshaw, secretary of the Bristol branch of the Fabian Women's Group, suggested that readers formed Freewoman Discussion Circles. Soon afterwards they had their first meeting in London and other branches were set up in other towns and cities.

Some of the talks that took place in the Freewoman Discussion Circles included Edith Ellis (Some Problems of Eugenics), Rona Robinson (Abolition of Domestic Drudgery), C. H. Norman (The New Prostitution), Huntley Carter (The Dances of the Stars) and Guy Aldred (Sex Oppression and the Way Out). Other active members included Harriet Shaw Weaver, Stella Browne, Edmund Haynes, Harry J. Birnstingl, Charlotte Payne-Townshend Shaw, Rebecca West, Havelock Ellis, Lily Gair Wilkinson, Françoise Lafitte-Cyon and Rose Witcup.

By the summer of 1912 Dora Marsden had become disillusioned with the parliamentary system and no longer considered it important to demand women's suffrage: "The politics of the community are a mere superstructure, built upon the economic base... even though Mr. George Lansbury were Prime Minister and every seat in the House occupied by Socialist deputies, the capitalist system being what it is they would be powerless to effect anything more than the slow paced reform of which the sole aim is to make men and masters settle down in a comfortable but unholy alliance... the capitalists own the states. A handful of private capitalists could make England, or any other country, bankrupt within a week."

This article brought a rebuke from H. G. Wells: That you do not know what you want in economic and social organization, that the wild cry for freedom which makes me so sympathetic with your paper, and which echoes through every column of it, is unsupported by the ghost of a shadow of an idea how to secure freedom. What is the good of writing that economic arrangements will have to be adjusted to the Soul of Man if you are not prepared with anything remotely resembling a suggestion of how the adjustment is to be affected?"

Mary Gawthorpe also criticised Dora Marsden for her what she called her "philosophical anarchism". She told her that she "was not really an anarchist at all" but one who believed in rank, with herself at the top. Mary added: "Intellectually you have signed on as a member of the coming aristocracy. Free individuals you would have us be, but you would have us in our ranks... I watch you from week to week governing your paper. You have your subordinates. You say to one go and she goes, to another come, and she comes."

Mary Gawthorpe had suffered severe internal injuries after being beaten up by stewards at a meeting. She was also imprisoned several times and hunger strikes and force-feeding badly damaged her health and in March 1912, she was unable to continue working as co-editor of The Freewoman. Marsden wrote in the journal that "we earnestly hope that the coming months will see her restored to health". Although Mary was ill, she had not resigned on health grounds, but because of what she claimed was "Dora's bullying" and her "philosophical anarchism". Gawthorpe returned all Dora's letters and asked her not to write again: "The sight of your letters I am obliged to confess turns me white with emotion and I have acute heart attacks following on from that."

In the edition published on 18th June 1912, Ada Nield Chew created further controversy with an article on the role of women in marriage. She argued that the emancipation of women depended on their gaining economic independence and rejecting the idea that their natural lifelong vocation was domestic and maternal. Ada, a working-class woman with children, added that: "A married woman dependent on her husband earns her living by her sex... Why, in the name of reason and common sense, should we condemn a mother to be a life-long parasite because she has had one or more babies to care for?"

In September 1912, The Freewoman was banned by W. H. Smith because "the nature of certain articles which have been appearing lately are such as to render the paper unsuitable to be exposed on the bookstalls for general sale." Dora Marsden argued that this was not the only reason the journal was banned: "The animosity we rouse is not roused on the subject of sex discussion. It is aroused on the question of capitalism. The opposition in the capitalist press only broke out when we began to make it clear that the way out of the sex problem was through the door of the economic problem."

Charles Grenville wrote to Dora Marsden complaining that the journal was losing about £20 a week and told her he was thinking of withdrawing as the publisher of the magazine. Marsden replied: "You have put money into the paper. I have put in the whole of my brain, power and personality. Without your money I would not have started, without my brain the paper could not have lived and shown the signs of flourishing which it undoubtedly has."

When Edward Carpenter realised the journal was being brought to an end, he wrote to Dora Marsden: "The Freewoman did so well during its short career under your editorship, it was so broad-minded and courageous that its cessation has been real loss to the cause of free and rational discussion of human problems."

The last edition appeared on 10th October 1912. Dora Marsden told her readers: "The editorial work has not been easy. We have been hemmed in on every side by lack of funds. We have, moreover, been promoting a constructive creed, which had not only to be erected as we went along, we had also to deal with the controversy which this constructive creed left in its wake.... The entire campaign has been carried on indeed only at the cost of a total expenditure of energy, and we, therefore, do not hold it possible to continue the same amount of work, with diminished resources, if in addition, we have to bear the entire anxiety of securing such resources as are to be at our disposal."

http://www.spartacus.schoolnet.co.uk/Jfreewoman.htm

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Dora Marsden appealed to readers of "The Freewoman" to help fund a new magazine. Teresa Billington-Greig and Charlotte Payne-Townshend Shaw both sent money. Lilian McErie also contributed: "No paper has given me keener pleasure than yours. Its fearlessness and fairness made all lovers and seekers after truth respect it and love it even while differing from many of the opinions expressed therein."

In February 1913 Dora Marsden met Harriet Shaw Weaver, who had just inherited a large sum of money from her father. As Les Garner, the author of A Brave and Beautiful Spirit, pointed out: "They were in many ways totally unsuited - on the one hand, the rebellious, radical intellectual and on the other, the quiet, modest, unassuming and orderly Weaver. Yet they took an immediate liking towards each other - Weaver impressed by Dora's intelligence and indeed, her beauty, and Dora by Harriet's keen but systematic approach to the re-launch of the paper. Dora had originally just wanted a chat but they ended up in effect having a business meeting while all the time establishing their mutual respect and admiration".

The New Freewoman was launched in June 1913. The journal, published fortnightly, was priced at 6d but readers were asked to pay £1 in advance for 18 months' copies. Dora Marsden wrote in the first edition: "The New Freewoman is not for the advancement of Women, but for the empowering of individuals - men and women.... Editorially, it will endeavour to lay bare the individual basis of all that is most significant in modern movements including feminism. It will continue The Freewoman's policy of ignoring in its discussion all existing taboos in the realms of morality and religion."

Harriet Shaw Weaver put up £200 to fund the magazine and this gave her a controlling interest in the venture. Dora Marsden was editor, Rebecca West assistant editor and Grace Jardine (sub-editor and editorial secretary). The women were all employed on a salary of £1 a week. Later, Ezra Pound, became the journal's literary editor.

H. G. Wells welcomed the new magazine: "I rejoice beyond all measure in the revival of The Freewoman. Its policy even at its worse was a wholesome weekly irritant." Benjamin Tucker said "I consider your paper the most important publication in existence." Winifred Leisenring, the secretary of the Blavatsky Institute, argued that the journal "will educate women and men to think in terms of true freedom, and show them that real individuality exists apart from all our accepted standards."

Elizabeth Crawford pointed out that "Marsden... continued her attack on the Pankhursts, using the death of Emily Wilding Davison to highlight her conviction that they were prepared to make use of dedicated individuals, who otherwise were considered as trouble-makers, only when it suited them." Marsden wrote on 15th June, 1913: "Davson's death was merely to give a crowd of degenerate orgiastics a new sensation... Causes are the diversion of the feeble - of those who have lost the power of acting strongly from their own nature."

Dora Marsden and Harriet Shaw Weaver became very close. Dora wrote to Harriet claiming that "you have been a perfect treasure to me and the paper". Harriet wrote back expressing her love for Dora. Rebecca West also enjoyed working under Dora, telling her that she was a "wonderful person, you not only write these wonderful first pagers but you inspire other people to write wonderfully."

The New Freewoman gradually moved away from its feminist origins. George Lansbury complained about Marsden's abandonment of socialism and others disliked the emphasis she placed on individualism. Her critics included Rebecca West who resigned her post in October 1913 having become disillusioned with the direction the journal was taking. Later she admitted she strongly disapproved of Dora's "aggressive individualism" and her "egotistic philosophy". Dora replaced Rebecca with the young poet, Richard Aldington.

At a director's meeting on 25th November 1913, it was decided to change the name of the The New Freewoman to The Egoist. Bessie Heyes complained to Harriet Shaw Weaver about the change of name. "Don't you yourself think that the paper is not accomplishing what we intend to do? I had such hopes of The New Freewoman and it seems utterly changed." The journal lasted for only seven months and thirteen issues. During this time it only obtained 400 or so regular readers.

http://www.spartacus.schoolnet.co.uk/WfreewomanN.htm

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The Egoist: An Individualist Review began in January 1914. Dora Marsden used the journal to attack the leading members of the Women Social & Political Union. In 1913 Christabel Pankhurst published The Great Scourge and How to End It. She argued that most men had venereal disease and that the prime reason for opposition to women's suffrage came from men concerned that enfranchised women would stop their promiscuity. Until they had the vote, she suggested that women should be wary of any sexual contact with men. Marsden criticized Pankhurst for upholding the values of chastity, marriage and monogamy. She also pointed out in The Egoist on 2nd February 1914 that Pankhurst's statistics on venereal disease were so exaggerated that they made nonsense of her argument. Marsden concluded the article with the claim: "If Miss Pankhurst desires to exploit human boredom and the ravages of dirt she will require to call in the aid of a more subtle intelligence than she herself appears to possess." Other contributors to the journal joined in the attack on Pankhurst. The Canadian feminist, R. B. Kerr argued that "her obvious ignorance of life is a great handicap to Miss Pankhurst" (16th March, 1914) whereas Ezra Pound suggested that she "has as much intellect as a guinea pig" (1st July, 1914).

Marsden continued to criticize the WSPU. On 15th June, 1914, attacked Emmeline Pankhurst for being under the control of a small group of rich women: "Mrs Pankhurst required at the outset, for the sake of backing, women with money and with some capacity: when she obtained these she drew the limiting line which would keep out women with accepted followings and too much ability: that is unless they came with ashes in their hair, repentance in one hand and passivity in the other. Then on the principle of the Eastern potentate who illustrated the practice of good government by lopping off the heads of all the stalks of grain which grew higher than the rest, she by one means or another rid her group of all its members unlikely by virtue of personality, conspicuous ability, or undocile temper, to prove flexible material in the great cause. The gaps thus made she filled up with units of stock size."

Ezra Pound wanted the The Egoist to become more of a literary journal. In early 1914 he persuaded Dora Marsden to serializeA Portrait of the Artist as a Young Man, an experimental novel written by James Joyce.

In the summer of 1914 Dora Marsden handed over the editorship of the The Egoist to Harriet Shaw Weaver. She now assumed the role of contributing editor. This allowed her to concentrate on her philosophical research and writings. However, both women were concerned by the poor sales figures of the journal. After briefly reaching 1,000 copies it had now fallen to a circulation figure of 750.

In The Egoist on the 1st June, 1915, Dora Marsden argued the "delayers of peace are those who would temper down the ferocity which would wage war only at its deadliest". Marsden also supported conscription. In the journal she claimed that "everything which militates against the British Empire becoming a military camp until victory is assured is treason". Marsden believed that arming the male population would lead to revolution. She suggested that "men who have prepared themselves to defend their country will find themselves better equipped to defend themselves".

Marsden's biographer, Les Garner, has pointed out: "Revolutionary Socialists might have sympathized with this but had a far more rigorous attitude to the war. Like Lenin, they saw the war largely as a battle between German and British capitalism for trade, markets and profit. The only benefit they envisaged was that by increasing economic and social crisis within the warring countries, class consciousness and thus the revolution would be hastened. Arming the workers as soldiers would help to this end. But this position envisaged the arming of a class not a hotch-potch of disparate individuals. It saw the war in economic terms and not merely as a clash of national interests, a sort of Egoism writ large. Dora's analysis clearly did not fit this position - or indeed any other. She was alienated from the liberal suffragist pacifist view and also from the jingos. Once again, she was on her own."

In January 1916, Harriet Shaw Weaver argued that despite poor sales she was determined to continue supporting the journal. "It has skirted all movements and caught on to none.... The Egoist is wedded to no belief from which it is willing to be divorced. To probe to the depths of human nature, to keep its curiosity in it fresh and alert, to regard nothing in human nature as foreign to it, but to hold itself ready to bring to the surface what may be found, without any pre-determination to fling back all but unwelcome facts - such are the high and uncommon pretensions upon which it bases its claims to provenance."

James Joyce failed to find a publisher for A Portrait of the Artist as a Young Man. The owner of journal, Harriet Shaw Weaver agreed to establish the Egotist Press and the book was published in February 1917. The book was praised by critics such as H. G. Wells but failed to sell.

In January 1919 The Egoist: An Individualist Review began the serialization of Joyce's Ulysses. However, sales of the journal had fallen from 1,000 in May 1915 to 400 and Harriet Shaw Weaver, decided to bring the journal to an end.

http://www.spartacus.schoolnet.co.uk/Jegoist.htm

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