Reflections on a Limo's trunk

[Andrew Wiessner]

in the reflection on frame 345 the man to his right has his hands to the bottom of his chest, the reflection shows someone with the camera to his face like altgens.

[Barry Keane]

Thanks for this, David. You provide more food for thought.

Daniel, I've never noticed that before. You are exactly right- Jean Hill is not looking at the limousine, in the midst of the shooting. That's an astute observation, and one that deserves an explanation.

Jean Hill can be seen turning to look at the limo just before the head shot, but only in the image between the sprockets holes of the Z film.

[Greg Burnham]

Thanks for this, David. You provide more food for thought.

Daniel, I've never noticed that before. You are exactly right- Jean Hill is not looking at the limousine, in the midst of the shooting. That's an astute observation, and one that deserves an explanation.

Jean Hill can be seen turning to look at the limo just before the head shot, but only in the image between the sprockets holes of the Z film.

Good catch, Barry. Indeed, we can see Jean turn back towards the president before the headshot in the sprocket hole of Z-310 thru 312.

[John Dolva]

and whats her name is standing on the grass, could it be that the movie is an accurate representation (sans obvious differences from the original) of what happened.

[Greg Burnham]

No.

[Barry Keane]

Thanks Greg for the Z frame. What you don't see is often more important the what you do see!