Guest Duncan MacRae Posted January 29, 2006 Posted January 29, 2006 Is This Oswald or not?. Frame from the Hughes film as the limo turns on to Elm. Opinions welcomed. Duncan
Ed O'Hagan Posted January 29, 2006 Posted January 29, 2006 (edited) Superb example of fine work! Well done! Edited January 29, 2006 by Ed O'Hagan
Frank Agbat Posted January 29, 2006 Posted January 29, 2006 Is This Oswald or not?.Frame from the Hughes film as the limo turns on to Elm. Opinions welcomed. Duncan Duncan, Can you post the original Hughes frame from which you started?
Ed O'Hagan Posted January 30, 2006 Posted January 30, 2006 (edited) Superb example of fine work! Well done! Thanks Ed..I'm glad you can see him.All the best. Duncan Duncan, I did not see HIM (Oswald), nor did I see a rifle. However, I did see the images of more than just one person. Additionally, I would recommend that you repeat the process on the next window over. I have enlarged and attached the upper left section of an image, which shows at least two individuals were present in that location. Hopefully the file will download with sufficient clarity, so that you'll be able to zero in on them. If not, I'll describe what to look for later. I am using an antiquated version of Adobe PhotoDe Luxe 2.1. You should be able to improve on what I have produced, judging by the excellent job you did on that first picture. For the average viewer many of these types of images have very little significance. It takes quite a bit of time and sustained effort to develop both visual acuity and the necessary interpretative ability in order to be able to distinguish these very fuzzy depictions. Some can, but many cannot. Edited January 30, 2006 by Ed O'Hagan
Tim Gratz Posted January 30, 2006 Posted January 30, 2006 Gee, it sure looks like Gilberto Policarpo Lopez to me! (Just kidding!!! not trying to hijack this thread). It is great photographic work (I think I can see a man pointing a rifle) but it surely is not possible to identify the shooter, at least IMHO. I also fail to see two individuals in the photo but I do not dobt that others may.
Nick Bartetzko Posted January 30, 2006 Posted January 30, 2006 Duncan Just curious if you've ever used that great software to zero in on the TSBD doorway crowd...aka Lovelady etc. Nick
Bill Miller Posted January 30, 2006 Posted January 30, 2006 (edited) Superb example of fine work! Well done! Thanks Ed..I'm glad you can see him.All the best. Duncan Relax, Duncan ... in the shadows cast upon the stockade fence from the tree foliage as seen in Moorman's Polaroid ... Ed also saw the images of Cops with cameras. I found his posted image at the time and created an overlay showing where he had gotten it. (see below) That window was also only 14" off the floor and didn't a witness say that the assasin was standing off to the side of the window and out of sight? It seems to me that a person having only part of his head showing above the window ledge would need to be laying on his stomach. Bill Miller JFK assassination/researcher Edited January 30, 2006 by Bill Miller
Bernice Moore Posted January 30, 2006 Posted January 30, 2006 (edited) Bill: Stop trying to break the thread.Thank you. No one is talking about Moorman, stockade fences or cops...??????? B Edited January 30, 2006 by Bernice Moore
David G. Healy Posted January 30, 2006 Posted January 30, 2006 Superb example of fine work! Well done! Thanks Ed..I'm glad you can see him.All the best. Duncan Relax, Duncan ... in the foliage shadows cast upon the stockade fence in Moorman's Polaroid ... Ed also saw the images of Cops with cameras. I found his posted image at the time and created an overlay showing where he had gotten it. (see below) Bill Miller JFK assassination/researcher whoa there Bill, you see all sorts of things in 6th floor window reflections don'tcha?..... amazing -- Hi Gary
Robin Unger Posted January 30, 2006 Posted January 30, 2006 The Hughes frames and the Weaver frame below were taken from a Discovery program DVD. Unsolved History. "Death in Dealey Plaza" Credit : Chris Davidson. Crop from Weaver Frame:
Frank Agbat Posted January 31, 2006 Posted January 31, 2006 Thanks Robin,I have just finished an analysis of the Weaver photograph.Here is the result. I was amazed and taken aback at the result.As you can see,it looks very much like Oswald. Duncan Huh!? I can't see ANYTHING that "looks very much like Oswald." Sorry to be a naysayer, but I call it as I see it (or in this case, don't see it). You're seeing something I'm not, evidently. Can you highlight the area where you see something?
J. Raymond Carroll Posted January 31, 2006 Posted January 31, 2006 Thanks Robin, I have just finished an analysis of the Weaver photograph.Here is the result. I was amazed and taken aback at the result.As you can see,it looks very much like Oswald. Duncan Huh!? I can't see ANYTHING that "looks very much like Oswald." Sorry to be a naysayer, but I call it as I see it (or in this case, don't see it). You're seeing something I'm not, evidently. Can you highlight the area where you see something? Duncan, thank you for this posting. My problem is that the three lines converge virtually inside the window and thereby spoil the view. Could we ask you withdraw those lines somewhat and repost your enhancement in a way that will do justice to your discovery. BTW On what I can see of the figure in the window, I agree with Frank Agbat. Assuming it to be a person, it seems to me it could be nearly any person, probably male, in the world. But you may have something big here: Conclusive proof that there really was a man in the 6th floor window. Only there is no sign of a gun anywhere.
Nick Bartetzko Posted January 31, 2006 Posted January 31, 2006 Duncan I do see a figure. The head, eyes, chest and arms (not hands) are visible. The shirt appears to be buttoned to the top and the shirt pattern is very similar to what Lovelady said he wore. The strange thing is the nearly square black color that is on the chest area. Maybe it's just an illsusion, but I do see what I describe very clearly. Nick
Tim Gratz Posted January 31, 2006 Posted January 31, 2006 Can someone refresh my recollection when the photo was taken? I certainly agree with Frank and J. R. Carroll that it is impossible to identify the figure in the window.
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