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Altgens: - A Closer Look.


Guest Eugene B. Connolly
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Guest Eugene B. Connolly

Taken from the very large Altgens6 on Robin Unger's great website.

I have colourised the window area which is on the topmost area

nearest the TSBD. Is there someone in the mid to

bottom left side of the window frame? Is there something jutting out

at the bottom left?

Does anyone know how the windows in this building opened?

I read somewhere that some of the glass in some of

the windows was broken before the assasination.

Does anyone know which ones?

Second colourised photo also from Robin Unger's site shows a man

holding what appears to be a radio. I have seen this enlarged before

in the forum. Does anyone have any info on this?

The third image is of the individual wearing thick dark sunglasses -

surely a man who knew it was going to be a

hot day in Dallas and came prepared.(?)

EBC

Edited by Eugene B. Connolly
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Guest Eugene B. Connolly

Robin,

Thanks for that image.

Btw....do you have a good quality Weaver [(!)] photo or know

where I can find one?

Regards,

Eugene

Edited by Eugene B. Connolly
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Guest Eugene B. Connolly

Robin,

Here's a partial colourisation of the the image

you posted earlier.

On closer inspection, I now have doubts whether there is anything in

the window area.

Eugene

Edited by Eugene B. Connolly
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Guest Eugene B. Connolly

Robin,

Thx. I tried to colourise the whole Altgens 6

image but it is too big and my computer can't handle

it. I need more memory and a bigger CPU.

Eugene

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Scan from POTP

Does anyone see the fake "ledge" in front of the 5th floor window (middle), obscuring the windows partially?

There is also a "ledge" painted similarly to the above mentioned, partially obscuring the Oswald window in the Hughes Film.

This is certainly proof of photo alteration.

Kathy

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[...]

On closer inspection, I now have doubts whether there is anything in

the window area.

[...]

_______________________

Eugene,

I beg to differ in that I still think I see a (probably clothed) arm sticking out from the right half of the window which is to the immediate left of the window in which all the people can be seen, and on the same level.... Excellent work!

--Thomas

______________________

Edited by Thomas Graves
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Guest Eugene B. Connolly

Eugene,

I beg to differ in that I still think I see a (probably clothed) arm sticking out from the right half of the window which is to the immediate left of the window in which all the people can be seen, and on the same level.... Excellent work!

--Thomas

Thomas,

Thx. Originally I thought I could discern the left elbow / arm of someone who is standing in the bottom right.

It looks as if he is in the turning (to his right - to exit window area [?]) position with his back partly to the camera.

I'm just not sure.

I have colourised the Weaver image kindly posted by

Robin Unger just for the hell of it. Some of the files

are too big to post and this is a smaller version.

The colours are, of course, guess work except for the car.

As with all colourisations the images are

only approximations or impressions. However, I feel

the colourisation gives an idea of the mood of the day

22nd November, 1963. One can almost feel the heat of the sun

and the warmth of the welcome that President Kennedy and Jackie

received on that glorious Friday morning

that was to end, a few seconds later,in murder - in broad daylight.

Eugene

Edited by Eugene B. Connolly
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an onging problem with this window is a satisfactory explanation for this shadow. Any ideas?

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Scan from POTP

Does anyone see the fake "ledge" in front of the 5th floor window (middle), obscuring the windows partially?

There is also a "ledge" painted similarly to the above mentioned, partially obscuring the Oswald window in the Hughes Film.

This is certainly proof of photo alteration.

Kathy

In re the "ledge" -- It can be interpreted as a horizontal appendage that spreads from the top right of a vertical artifact that may be an automobile antenna (on the advance car?) or a lamp pole. It is not part of the building, yet does seem to mirror vertical structures on the TSBD facade. If this is evidence of image tampering, then perhaps we have to consider Robert Morningstar's theory of gestalt editing -- which we might also think of as a sinister trompe l'Oeil.

Perhaps a clearer version of the full frame would help resolve this issue.

Charles

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