John Dolva Posted April 19, 2010 Share Posted April 19, 2010 I don't know Chris. Each ghost image in the top is from the previous frame and on the bottom from the next frame (I think). With the gamma up a bit, I see, on the mpi stills, a figure moving as in Dorman in about the right place. But its not a ghost image or part of one. Link to comment Share on other sites More sharing options...
Chris Davidson Posted April 19, 2010 Author Share Posted April 19, 2010 John, You'll have to be more specific about the exact area you are describing. What can I do to enhance what you see? chris Link to comment Share on other sites More sharing options...
John Dolva Posted April 19, 2010 Share Posted April 19, 2010 ok . Theres a sequence from the italian film which name I can't remember that has the levels so that one sees a tall guy in the centre of the intersprocket area (frames numbered that film as stated) moving as in the Dorman and being tall and dark clothed. I can't snap nor rip the frames. Just foucs on the intersprocket area (when it shows the right area) and increase the gamma a bit to bring out the differences in the dark patches. Link to comment Share on other sites More sharing options...
Chris Davidson Posted April 19, 2010 Author Share Posted April 19, 2010 John, Behind Rosemarie Willis's right shoulder. The figure turns there face away from the camera. chris Link to comment Share on other sites More sharing options...
Jack White Posted April 20, 2010 Share Posted April 20, 2010 Jack,Near the steps. chris Thanks! Interesting. Jack Link to comment Share on other sites More sharing options...
Robin Unger Posted April 20, 2010 Share Posted April 20, 2010 Exellent Chris Davidson stabilized Bell GIF Showing Rosemary Willis and the woman in blue seen in the Dorman film, running together with the limo. http://98.155.2.255:8400/6B03D/BELL3.gif Link to comment Share on other sites More sharing options...
John Dolva Posted April 21, 2010 Share Posted April 21, 2010 (edited) ok, I think I'm wrong. Edited April 21, 2010 by John Dolva Link to comment Share on other sites More sharing options...
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