Jump to content
The Education Forum

Jerome Corsi

Members
  • Content Count

    14
  • Joined

  • Last visited

About Jerome Corsi

  • Rank
    Member

Profile Information

  • Gender
    Male

Recent Profile Visitors

1,031 profile views
  1. Chris, this is the argument Tosh Plumlee makes. I'm inclined to agree.
  2. The book needs a description key to download Thanks Jerome Corsi jeromecorsi6554@gmail.com
  3. Robin Unger, Good suggestion. Max is not a member of this forum. If anyone has contact information, I would appreciate sharing. My real point of interest is to find "doorman" pre-shooting and Lovelady "post-shooting" in one color film -- your work, Robin, confirms the GIF close-up cropped view of the TSBD pre-shooting is from the Hughes film. This permits us to use the TSBD as a common element to "standardize" colors between the two sequence and adjust all other colors in the frame accordingly -- more scientific form of colorization -- that would give us a color comparison based on spec
  4. Robin Unger I have read many of your disagreements with Cinque, including the one you reference above. My comments are not directed at where Lovelady said he was standing. I'm still working on the colors. What I want to stay focused upon is this: If we could determine, for instance, that the color of the brick in the TSBD in the frames showing "doorman" prior to the shooting, were not statistically different (as determined by a spectrographic analysis) from the color of the brick in the TSBD from the frames in the Hughes film showing Lovelady after the shooting, could we assume sufficien
  5. Robin Unger: My point on the color consistency is explained more precisely in the following paragraph, limiting the discussion to the Hughes film only. If we could determine, for instance, that the color of the brick in the TSBD in the frames showing "doorman" prior to the shooting, were not statistically different (as determined by a spectrographic analysis) from the color of the brick in the TSBD from the frames in the Hughes film showing Lovelady after the shooting, could we assume sufficient color consistency to compare the spectrographic analysis of "doorman's" shirt to the spectrograph
  6. Thanks, Robin The care you took to track this down is much appreciated. I am watching the National Geographic DVD now and see the close-up is taken from the Hughes film, as you correctly point out. hugheshouststlostbzoonfuew.gif Yes, the Hughes film is the source of the cropped close-up. Is this the best image available currently of TSBD door from the last frames Hughes took as the JFK limo turned onto Elm Street? Do you know if Max Holland archived anywhere the enhanced frames from his high-resolution copy of the Hughes film that he used in the National Geographic special? I know of no
  7. Robert Mady I apologize the links did not work. The clip I want to identify can be seen in the post above that Robin Unger posted at 11:29 am today -- the first of the posts. It appeared here as well: in the Pat Speer post on 19 March 2013 at 12:12 AM I do not see that exact clip in the Hughes video online. Above, Robin Unger says Gerda Dunckel created the clip, but she is not currently listed as a member to this forum and I don't know how to reach her. Thanks Jerry Corsi
  8. Robert Mady I apologize for the links not working. The video clip I'm interested in identifying is here http://educationforum.ipbhost.com/index.php?showtopic=20041&page=3 Also seen above as the first of the clips Robin Unger posted at 11:29 AM today. From what Robin posted, it looks like the clip I want to identify was created by Gerda Dunckel. I will send her a message and ask if she can identify the source of that clip. Thanks Jerry Corsi
  9. Robin Unger Thanks for your response. I am a reporter and I'm not taking sides -- please don't assume I accept uncritically the Oswald Innocence project information. Please understand I am asking a technical question. The clip you show of the TSBD door as the limo passes in front of it, as seen here: http://www.jfkassassinationgallery.com/albums/userpics/10001/hugheshouststlostbzoonfuew.gif is not in the Hughes film, or more precisely, it is in no version of the Hughes film I can find posted on the Internet. The "complete" Hughes film postings stop just as the JFK limo is turning the c
  10. Robert The GIF Robin Unger posted of the Hughes film (I agree it is a fantastic gif) stops short of showing the JFK limo after the turn onto Elm, passing in front of the TSBD as seen here: http://www.jfkassassinationgallery.com/albums/userpics/10001/hugheshouststlostbzoonfuew.gif The sequence obviously exists, but I don't see it in the Hughes film. Thanks Jerry Corsi
  11. Kathy Beckett -- thank you. It is helpful to read the second thread as well. I'm trying to find a copy of the Hughes film -- with this one claiming to be "complete" -- that shows the sequence supposedly from the Hughes film that was shown in the National Geographic DVD, "JFK: The Lost Bullet" I ordered the DVD and I will examine it. If someone has a Internet-posted copy of the Hughes film that shows Oswald/Lovelady in the TSBD doorway as the JFK limo turned onto Elm Street, I would appreciate the link to it. thanks Jerry Corsi
  12. Robert Mady I will get the National Geographic DVD. Is there an Internet posted version of the Hughes film that shows that segment clearly? Thanks
  13. Following Oswald Innocence postings on Facebook. Robin Unger posted a video clip here http://educationforum.ipbhost.com/index.php?showtopic=20041&page=3 The video clip appears to have the following URL: http://www.jfkassassinationgallery.com/albums/userpics/10001/hugheshouststlostbzoonfuew.gif This does not appear to be a clip from the Martin film. I have tried to mail a message to Robin Unger -- but so far no answer. I want to identify the original source of this clip to get copies of the Oswald/Lovelady figure in the TSBD doorway. Figure appears to look for the JFK limo turning
  14. Dr. Corsi received a Ph.D. from Harvard University in Political Science in 1972. Dr. Corsi is currently a Senior Staff Reporter for World Net Daily, where he works as an investigative reporter. In 2004, Dr. Corsi co-authored the #1 New York Times bestseller, Unfit for Command – Swift Boat Veterans Speak Out Against John Kerry (Regnery Publishing Inc., 2004) with swift boat veteran John O’Neill. The success of Unfit for Command permitted Dr. Corsi to make a career change into full-time writing on politics and economics, two fields in which he has considerable expertise and experience. Sin
×
×
  • Create New...