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Moorman Comparison


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I did the graphic very hurriedly, and now I note that I was about and eighth-inch

off on the right side of the red box, which would further exaggerate the aspect

ratio. It should be by the second column, not the first as I drew it.

This has NO EFFECT however on the premise of the study, and is easily correctible.

Jack

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Chris...there seems to be something phony about that recreation photo besides

the car not being the same angle. I have not done a comparison, but if that

is an UNCROPPED photo, the aspect ratio and the field of view both look dissimilar

to the view from the Model 80A. How about showing us a side-by-side comparison,

as well as a side-by-side comparison of the two cameras. Thanks.

Jack

Jack,

Here they are.

The Moorman photo as stated earlier was reduced to 29.2% x30% for more precise registration.

Thanks to Marcel for the Moorman Polaroid photo and Robin for the earlier photo from the program.

chris

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I did the graphic very hurriedly, and now I note that I was about and eighth-inch

off on the right side of the red box, which would further exaggerate the aspect

ratio. It should be by the second column, not the first as I drew it.

This has NO EFFECT however on the premise of the study, and is easily correctible.

Jack

The problem is your premise is incorrect.

Here's the data:

Moorman Model 80 camera. Lens 100mm, actual image area of the film 2 1/8 x 2 7/8

Discovery camera, Model 195. Len 114mm, actual inage area 2 7/8 x 3 3/4

Your study proves notihng other than the cameras, lenses and film format were different.

Research is your friend...

Wanna try again?

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Photo below from Jack.........

Statement from Mary Moorman......

Yesterday while reviewing some transcribed old notes taken many years ago

at the National Archives, David Lifton came across a long forgotten

information of the mother lode variety.

He was transcribing by hand, listening with earphones to audio tapes made

on the afternoon of 11-22-63, from KRLD Radio tape reels.

The reel was an interview by Jay Hogan of Mary Moorman and Jean Hill at

3:30 pm...on KRLD RADIO excerpts, Tape 5B and 6A at NARA.

I am excerpting from the lengthy transcript several relevant parts of the

interviews. Decide for yourself the importance of this first day evidence:

HOGAN:

Q: Hello, Mrs. Moorman?

A: Yes.

Q You took the picture just after the shooting, or just before?

A: Evidently, just immediately, as the. . . Cause he was, he was looking, you know,

whenever I got the camera focused and then I snapped it in my picture, he slumped over.

(DELETED FOR BREVITY)

Q: About how close were you?

(DELETED FOR BREVITY)

A: 10 or fifteen foot, I, no more . . . Because I fall behind my camera.

(DELETED FOR BREVITY)

Q: Were you up on that grassy bank there?

A: We stepped out in the street. We were right at the car.

(DELETED FOR BREVITY)

Q: How many shots did you hear? You say "shots rang out".

A: Oh, oh, I don't know. I think three or four is what I, I uh, that I heard.

Q: Uh huh.

A: (continuing) that I'm sure of. Now, I don't know, there might have been more.

It just took seconds for me to realize what was happening.

Q: Yeah, uh, what as your first thought?

A: That those ARE shots. I mean, he had been HIT.

And that they're liable to hit me, cause I'm right at the car.

so I decided the place for me is to get on the ground (laughs)

Q: So huh, how did the president respond to this shot. I mean, did he just

slump suddenly?

A: He grabbed his chest, and of course, Mrs. Kennedy jumped up immediately,

and fell over him; and she said: "My God, he's been shot."

Q: Did you notice any other reactions...

(DELETED FOR BREVITY)

A: Uh, they hesitated just for a moment [referring, I believe, to the car itself,

rather than to the behavior of any particular individual--dsl] cause I think they

were like I was, you know--'Was that a shot," or was itj ust a backfire, or

just what? And then, course, he clutched himself and they immediately sped up,

real fast, you know, like--to get OUT of there. And, uh, the police, there were

several motorcycles around him; and, uh, they stopped, and uh--one or two must

of went with him, And one ran up the hill, and a friend that was with me ran up

the hill across the street from where the shots came from.

(DELETED FOR BREVITY)

Q: It (shots) seemed fairly close by?

A: Yes, uh huh.

Q And form what direction did they seem to be?

A: Oh, Lord? North Just back there (at--laughs)

Q: Just just right at you?

A: Yes, sir.

(DELETED FOR BREVITY)

A: The sound popped, well it just sounded like, well, you know, there might

have been a firecracker right there in that car.

Q: And in your picture, uh, you took this picture just BEFORE the shot?

(DELETED FOR BREVITY)

A: Evidenty, at the minute ( means "instant" that he, that it hit him because,uh,

we was we was looking, at me, or I mean, he was looking, you know at the people

when my picture came out. They just slumped over, so I must have got it.

(DELETED FOR BREVITY)

A: Yes, uh huh. You could see he's clutched, he's bent over, and she's... and she

hadn't even gotten up in my picture, and she DID get up, STOOD UP, in the car.

(DELETED FOR BREVITY)

Q: Uh huh. And you and your friend Miss Hill, uh, were together there

at the scene. Was anybody else with you?

A No, uh uh.

Q: OK, well we sure thank you.

FROM HERE ON OUT, the interview continues with Jean Hill

This was posted here on the EF by Jack White from David Lifton Feb.07...

*******************************

I found this partial copy of an interview of Mary Moorman, in a search a couple of years back....

Mary stated she WAS in the street again, when she took her polaroid....in 1997......

While being interviewed by KRLD ....The interview was originally, and kindly provided by Debra Conway.....

Moorman: " UH, just immediately before the presidential car came into view, we were, you know, there was just tremendous excitement. And my friend who was with me ( Jean Hill ) we were right ready to take the picture. And she's not timid. She, as the car approached us, she did hollar for the president . " Mr.President, look this way !

AND I'D STEPPED OUT OFF THE CURB INTO THE STREET TO TAKE THE PICTURE. AND SNAPPED IT IMMEDIATELY .And that evidently was the first shot .You know I could hear the sound.And.

Jones: "Now, when you heard the sound, did you immediately think 'rifle shot'..?"

Moorman: "Oh no. A firecracker, maybe. There was another one just immediately following which I still thought was a firecracker. And then I stepped back up on to the grassy area. I guess just, people were falling around us, you know.

Knowing something was wrong . I cetainly didn't know what was wrong. "

B.........

Edited by Bernice Moore
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Photo below from Jack.........

Statement from Mary Moorman......

Yesterday while reviewing some transcribed old notes taken many years ago

at the National Archives, David Lifton came across a long forgotten

information of the mother lode variety.

He was transcribing by hand, listening with earphones to audio tapes made

on the afternoon of 11-22-63, from KRLD Radio tape reels.

The reel was an interview by Jay Hogan of Mary Moorman and Jean Hill at

3:30 pm...on KRLD RADIO excerpts, Tape 5B and 6A at NARA.

I am excerpting from the lengthy transcript several relevant parts of the

interviews. Decide for yourself the importance of this first day evidence:

HOGAN:

Q: Hello, Mrs. Moorman?

A: Yes.

Q You took the picture just after the shooting, or just before?

A: Evidently, just immediately, as the. . . Cause he was, he was looking, you know,

whenever I got the camera focused and then I snapped it in my picture, he slumped over.

(DELETED FOR BREVITY)

Q: About how close were you?

(DELETED FOR BREVITY)

A: 10 or fifteen foot, I, no more . . . Because I fall behind my camera.

(DELETED FOR BREVITY)

Q: Were you up on that grassy bank there?

A: We stepped out in the street. We were right at the car.

(DELETED FOR BREVITY)

Q: How many shots did you hear? You say "shots rang out".

A: Oh, oh, I don't know. I think three or four is what I, I uh, that I heard.

Q: Uh huh.

A: (continuing) that I'm sure of. Now, I don't know, there might have been more.

It just took seconds for me to realize what was happening.

Q: Yeah, uh, what as your first thought?

A: That those ARE shots. I mean, he had been HIT.

And that they're liable to hit me, cause I'm right at the car,

so I decided the place for me is to get on the ground (laughs)

Q: So huh, how did the president respond to this shot. I mean, did he just

slump suddenly?

A: He grabbed his chest, and of course, Mrs. Kennedy jumped up immediately,

and fell over him; and she said: "My God, he's been shot."

Q: Did you notice any other reactions...

(DELETED FOR BREVITY)

A: Uh, they hesitated just for a moment [referring, I believe, to the car itself,

rather than to the behavior of any particular individual--dsl] cause I think they

were like I was, you know--'Was that a shot," or was itj ust a backfire, or

just what? And then, course, he clutched himself and they immediately sped up,

real fast, you know, like--to get OUT of there. And, uh, the police, there were

several motorcycles around him; and, uh, they stopped, and uh--one or two must

of went with him, And one ran up the hill, and a friend that was with me ran up

the hill across the street from where the shots came from.

(DELETED FOR BREVITY)

Q: It (shots) seemed fairly close by?

A: Yes, uh huh.

Q And form what direction did they seem to be?

A: Oh, Lord? North. Just back there (at--laughs)

Q: Just just right at you?

A: Yes, sir.

(DELETED FOR BREVITY)

A: The sound popped, well it just sounded like, well, you know, there might

have been a firecracker right there in that car.

Q: And in your picture, uh, you uh took this picture just BEFORE the shot?

(DELETED FOR BREVITY)

A: Evidently, at the minute (means "instant") that he, that it hit him because,

uh, we was we was looking, at me, or I mean, he was looking, you know, at the

people when my picture came out. They just slumped over, so I must have got it.

(DELETED FOR BREVITY)

A: Yes, uh huh. You could see he's clutched, he's bent over, and she's... and she

hadn't even gotten up in my picture, and she DID get up, STOOD UP, in the car.

(DELETED FOR BREVITY)

Q: Uh huh. And you and your friend Miss Hill, uh, were together there

at the scene. Was anybody else with you?

A No, uh uh.

Q: OK, well we sure thank you.

FROM HERE ON OUT, the interview continues with Jean Hill

This was posted here on the EF by Jack White from David Lifton Feb.07...

*******************************

I found this partial copy of an interview of Mary Moorman, in a search a couple of years back....

Mary stated she WAS in the street again, when she took her polaroid....in 1997......

While being interviewed by KRLD ....The interview was originally, and kindly provided by Debra Conway.....

Moorman: " UH, just immediately before the presidential car came into view, we were, you know, there was just tremendous excitement. And my friend who was with me ( Jean Hill ) we were right ready to take the picture. And she's not timid. She, as the car approached us, she did hollar for the president . " Mr.President, look this way !

AND I'D STEPPED OUT OFF THE CURB INTO THE STREET TO TAKE THE PICTURE. AND SNAPPED IT IMMEDIATELY .And that evidently was the first shot .You know I could hear the sound.And.

Jones: "Now, when you heard the sound, did you immediately think 'rifle shot'..?"

Moorman: "Oh no. A firecracker, maybe. There was another one just immediately following which I still thought was a firecracker. And then I stepped back up on to the grassy area. I guess just, people were falling around us, you know.

Knowing something was wrong . I cetainly didn't know what was wrong. "

B.........

Really???

Please explain how short Mary, standing off the curb and in the guttter has her lens OVER the top of the windshield of the closest motorcycle, which IIRC was 54 inches tall??????

Wanna try again?

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Thanks, Bernice, for posting the new photo comparison.

Thanks also for reposting the Lifton TRANSCRIPT OF WHAT MARY

SAID ON 11-22!

Regarding the new recreation photo...

1. it is clearly taken from a farther distance than the Moorman.

or

2. was taken with a wide angle lens.

I doubt that the camera used had a wide angle lens, THEREFORE

the camera was FARTHER AWAY THAN MARY WAS.

Is there any documentation showing EXACTLY WHERE THE CAMERA

WAS?

Jack

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Thanks, Bernice, for posting the new photo comparison.

Thanks also for reposting the Lifton TRANSCRIPT OF WHAT MARY

SAID ON 11-22!

Regarding the new recreation photo...

1. it is clearly taken from a farther distance than the Moorman.

or

2. was taken with a wide angle lens.

I doubt that the camera used had a wide angle lens, THEREFORE

the camera was FARTHER AWAY THAN MARY WAS.

Is there any documentation showing EXACTLY WHERE THE CAMERA

WAS?

Jack

Once again the facts...

Moorman Model 80 camera, normal lens for the film format = 90mm. Actual lens on the camera, 100mm

Discovery Model 195 camera, normal lens for the film format = 120mm. Actual lens on the camera, 114mm

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Thanks, Bernice, for posting the new photo comparison.

Thanks also for reposting the Lifton TRANSCRIPT OF WHAT MARY

SAID ON 11-22!

Regarding the new recreation photo...

1. it is clearly taken from a farther distance than the Moorman.

or

2. was taken with a wide angle lens.

I doubt that the camera used had a wide angle lens, THEREFORE

the camera was FARTHER AWAY THAN MARY WAS.

Is there any documentation showing EXACTLY WHERE THE CAMERA

WAS?

Jack

Best footage I have.

It appears he took it right behind/over the tripod which is just upon the grass.

chris

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Quote Craig Lamson: "Really???

Please explain how short Mary, standing off the curb and in the guttter has her lens OVER the top of the windshield of the closest motorcycle, which IIRC was 54 inches tall??????

Wanna try again?""

You figure it out, your the one objecting......To Mary's information.

If you do not believe the witnesses who were there, and their almost immediate interviews, while you and the rest of us were not...

....That, is entirely up to you..

B..

**********************

Chris:

This photo below is from Jack.......

B.......

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Since the Polaroids are BELLOWS cameras, focal length from lens to film plane

is somewhat different than other cameras, and harder to comprehend.

QUOTE:

Once again the facts...

Moorman Model 80 camera, normal lens for the film format = 90mm. Actual lens on the camera, 100mm

Discovery Model 195 camera, normal lens for the film format = 120mm. Actual lens on the camera, 114mm

UNQUOTE

Correct me if I'm wrong, and I'm sure you will...

if the Model 80 EFFECTIVE focal length is 90 mm (lens to focal plane)

and the Model 195 EFFECTIVE focal length is 120 mm (lens to focal plane)...

wouldn't the Model 85 have a WIDER FIELD OF VIEW than the Model 195?

If so, explain why the Model 85 has a NARROWER FIELD OF VIEW than the Model 195.

Ordinarilly, a longer focal length means greater magnification, not less.

Thanks.

Jack

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Quote Craig Lamson: "Really???

Please explain how short Mary, standing off the curb and in the guttter has her lens OVER the top of the windshield of the closest motorcycle, which IIRC was 54 inches tall??????

Wanna try again?""

You figure it out, your the one objecting......To Mary's information.

If you do not believe the witnesses who were there, and their almost immediate interviews, while you and the rest of us were not...

....That, is entirely up to you..

B..

**********************

Chris:

This photo below is from Jack.......

B.......

Thanks again, Bernice. Lamson has never been to Dealey Plaza. He was recruited

by Tink Thompson to join his gang after Tink observed Lamson's attacks on me

regarding Apollo on the DellaRosa forum. Lamson knows NOTHING, NOTHING

about the JFK case. Both Lamson and Thompson were thrown off of Rich's forum

for nonsense like we see here.

Jack

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Thanks again, Bernice. Lamson has never been to Dealey Plaza. He was recruited

by Tink Thompson to join his gang after Tink observed Lamson's attacks on me

regarding Apollo on the DellaRosa forum. Lamson knows NOTHING, NOTHING

about the JFK case. Both Lamson and Thompson were thrown off of Rich's forum

for nonsense like we see here.

Jack

Jack,

The things Craig is talking about are correct whether he has been to Dealey Plaza or not.

Things that show you in error that does not take someone going to the plaza to see it ....

1) Moorman tells Mark Oakes that your claiming she was in the street for that picture is silly

2) Jean Hill says she was out of the street BEFORE the first shot was fired

3) The curb drops more than 8" and the slope of the hill increases the drop to well over a foot and a half. Craig was right for mentioning this because the shoes of Moorman and Hill are seen in the Muchmore film, thus they cannot be in the street

4) Craig is also right that Moorman's camera is elevated higher than the tops of the cycles windshields, which could not be the case had Moorman of been standing in the street unless Mary had held the camera well over her head to take her photo

5) Your alleged position for Moorman in the street is seen as being in error when the gap between the window of the colonnade and the corner of the pedestal vary between your pic and Mary's. (see below)

post-1084-1183882092_thumb.gif

Your attempt to divert attention away from your error by stating that Craig attacked you is as erroneous as your 'Mooorman in the street' claim. What Craig, Thompson, myself, and others attacked was your poorly researched claims - not you personally.

Bill Miller

Edited by Bill Miller
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Since the Polaroids are BELLOWS cameras, focal length from lens to film plane

is somewhat different than other cameras, and harder to comprehend.

QUOTE:

Once again the facts...

Moorman Model 80 camera, normal lens for the film format = 90mm. Actual lens on the camera, 100mm

Discovery Model 195 camera, normal lens for the film format = 120mm. Actual lens on the camera, 114mm

UNQUOTE

Correct me if I'm wrong, and I'm sure you will...

if the Model 80 EFFECTIVE focal length is 90 mm (lens to focal plane)

and the Model 195 EFFECTIVE focal length is 120 mm (lens to focal plane)...

wouldn't the Model 85 have a WIDER FIELD OF VIEW than the Model 195?

If so, explain why the Model 85 has a NARROWER FIELD OF VIEW than the Model 195.

Ordinarilly, a longer focal length means greater magnification, not less.

Thanks.

Jack

Actually the focal length of a complex is not lens the lens to film plane distance. It is actually the principal point of the lens to film plane distance. That distance is a lens property and it is created by the lens designers as needed to fit the application. For example an 80mm lens on a Hasselbad needs a long lens rear elemsnt to film plane distance because of the large 2.5 inch or so square mirror inside of the body. An 80 mm lens on a Canon 35 mm body has a shorter lens rear element to film plane distance because the mirror is smaller. You can use the Hasselblad lens on the Canon body IF you include the required adapter that mates the different models AND provides the required LONG film to lens rear element distance.

The fact that a camera is a "bellows camera is not really a factor, and in the case of the Model 80 the bellows are not used in focusing like in a view camera. The model 80 focus is done at the lens.

The term "normal lens" is a calculation of the length of the diagonal of the image area.

For the model 80 that number is 90mm thus the 100mm lens that is supplied with the camera is slightly longer than "normal"

For the model 195 that number is 120 and the lens 114mm that is supplied with the the camera is slight wider than normal.

Finally the angle of view for a given lens is not totally dependant on the focal length. It is also format dependant. For example:

58mm SUPER-ANGULON XL 5.6 lens...angle of view 110 degrees 4x5 format

60mm Hasselblad lens...angle of view 50 degrees 2 1/4 format

Canon 60mm lens...angle of view 25 degrees 35mm format

All of these lenses have a 60 mm (or close) length yet they all have very different FOV's and very different lens to film plane distances.

Edited by Craig Lamson
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Quote Craig Lamson: "Really???

Please explain how short Mary, standing off the curb and in the guttter has her lens OVER the top of the windshield of the closest motorcycle, which IIRC was 54 inches tall??????

Wanna try again?""

You figure it out, your the one objecting......To Mary's information.

If you do not believe the witnesses who were there, and their almost immediate interviews, while you and the rest of us were not...

....That, is entirely up to you..

B..

**********************

Chris:

This photo below is from Jack.......

B.......

Thanks again, Bernice. Lamson has never been to Dealey Plaza. He was recruited

by Tink Thompson to join his gang after Tink observed Lamson's attacks on me

regarding Apollo on the DellaRosa forum. Lamson knows NOTHING, NOTHING

about the JFK case. Both Lamson and Thompson were thrown off of Rich's forum

for nonsense like we see here.

Jack

.

Good one Jack. You launch a person attack to complain about so called personal attacks on you. Priceless.

You have been to the plaza many times but that has not helped you at all in the understanding of the geometry present in the Moorman. You are still wrong, and in fact you continue to publish misinformation about this in spite of the massive empirical evidence that shows you are wrong. So tell me why is being in the plaza important again?

I was never "recruited' by anyone. My knowlege of photography and of the Moorman are what is required in this study, not "knowing nothing, nothing about the JFK case" Heck you know quite a bit about the JFK case but that knowlege serves you poorly because you have been proven to be totally wrong about the Moorman. So tell me why having a broad knowlege of the JFK case is improtant again?

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Quote Craig Lamson: "Really???

Please explain how short Mary, standing off the curb and in the guttter has her lens OVER the top of the windshield of the closest motorcycle, which IIRC was 54 inches tall??????

Wanna try again?""

You figure it out, your the one objecting......To Mary's information.

If you do not believe the witnesses who were there, and their almost immediate interviews, while you and the rest of us were not...

....That, is entirely up to you..

B..

**********************

Chris:

This photo below is from Jack.......

B.......

Either Mary was wrong in her recollection...

or

The Moorman, Altens, Muchmore and Zapruder films were altered to move her OUT of the street.

I have it figured out...do you?

Edited by Craig Lamson
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