Chris Davidson

Drommer Confirmation: Elevation 490.9 - 161.1 = 329.8 + 88.8 = 418.6 - 418.48 = .12 x 18.3 = 2.196 + 4.2 = 6.396 - .9 = 5.496 / 18.3 = .3ft x 14frames = 4.2ft

Sourced: https://www.canstockphoto.com/1950-black-coupe-4919799.html

Different angles, same idea.

Many thanks to Rick McTague for his re-enactment Altgen's photo.

Pretend you're a photographer and you are standing at the end of the red line (lower left of photo) taking a picture of the trucks front end. Now pretend you're Zapruder taking a photo of the same truck and the forefront light post is the Stemmons sign. Now pretend you gave me a horizontal distance between where an object should be and where it actually is. Now look at the horizontal distance line that connects the lightpost to my brothers head(almost). JFK's position within the limo didn't physically pass the Stemmons sign physical position by Z255. Can't help you anymore if you don't understand this.

How can someone taking a photo from in front (Altgens) expect the limo (which hasn't passed the Stemmons sign) at extant Z255 to be ahead of the sign by 40ft, within the photo?

Extant Z is at an angle in relationship to the limo. You're giving us a horizontal distance/location based on that angle. Try following the blue line from the Z pedestal to a point that is more parallel with the Stemmons sign. Extant Z frame numbers 249/255 are in the blue box. Using the blue parallel line that crosses Elm St, is the Stemmons sign still 40ft behind the limo at extant z255?

Actually, JFK (within the limo) hasn't reached the Stemmons sign by extant z255.

David, The cycle cop is one step down from the landing. I believe the shadow which crosses him coincides with the shadow we see on Lovelady's right side (Wiegman frame above). The men are probably in the approx same location (depending on time elapsed between pictures), just different camera angles. Added on edit: Breaking down the cycle cop distances within the entry-way, there is no way the previous sentence is true. https://drive.google.com/file/d/1Es_9hqgD9aa_q5PFrENu_-R4CPndpVCO/view?usp=sharing

Thank you. I found it.

Andrej, What was your source for this information?

Andrej, For accuracy's sake.

Imo, Mark shows great restraint in taking restrictive actions among the forum members. Perhaps posting something more constructive and less mocking would have been appropriate.

If it ever falls into ones lap. I haven't been successful obtaining it. https://www.youtube.com/embed/Zo0ui7TIPMw

Jim, The frames immediately preceed the wallet video. I assume Ryland was the photographer on the scene when the video was taken. It's his voice on the wallet video clip.

It appears as if the "official story" had already been passed along to the reporter. https://drive.google.com/file/d/1q3zgLFHSGytSONPW7kW07qn_FmByJDwq/view?usp=sharing

Another close syncing moment:

One reason might be the Z film was enlarged and then cropped. Then again, another might be the Newmans weren't tall enough, just like my brother. btw, he was 5'9" tall.

You haven't supplied a common occurance among two films for any type of syncing. Here's Bell for you. Now compare that with the Couch clip I just supplied, towards the end, and you'll see all the same players that are in Bell. You even get to see the cycle cop at the lamp-post take off toward his motorcycle, just as we see him in Bell. Who's that near the Newman's, looks like Altgen's to me. Who's that with the hat on, looks like Wiegman to me. So Wiegman and Altgens arrive at the Newmans at approx the same point in time. Anyone care to look at Couch and help John understand this concept??????

Altgen's 6 taken at approx z255 = 486-255 = 231/18.3 = 12.62sec while the Wiegman/Bell sync at least 22sec after the headshot, followed by Couch does not = Altgens crossing the street a few seconds after Altgens 6? Altgens is seen(in Couch) crossing the street as Wiegman makes his run down the knoll. Look closely down the street toward the lightpost. Guess who that is crossing? https://drive.google.com/file/d/0BwrExtVD005OS3QxMXNBemRkSGs/view?usp=sharing

Answers in red.

That's because the previous inset shows the same cycle cop in Couch, after he somewhat traverses the camera cars in Couch. This occurs while Wiegman (a camera car photographer shown in Couch) runs down the slope.

No, the camera cars have not left the area. They are approaching Wiegman (red box) who films the inset(lower right corner). I suggest watching the Couch film which includes Wiegman's partial run down the grassy knoll if you want to see the other camera cars(and cycle cop movement) as they start/move down Elm before Wiegman films the inset.